The Freemartin Calf relates a day in the life of two women: a young girl and her mother, as they brave two very separate realities laced with a very similar pain, fueled by a dogged desire to both reject and conform to the societal roles imposed upon them. The film is a deliberation on the subject of the creative process: the importance of a belief in the invisible creative mechanism (represented by the female body), the angst associated with the inability to create and the part of us that we leave behind in the final product. ‘The realistic narrative of ‘The Freemartin Calf’ never ceases to enrichen its symbolic basis with dreamlike imagery. Here we are closer to a naturalism that its transcended, magnified. From the ambitious mis-en-scène to the intricate structure of the film and the power of the facture, ‘The Freemartin Calf’ is a film of great maturity – and of extraordinary beauty.’ Gabriela Monelle (Culturopoing, June 2011)
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