« From the very first minute, it is a miracle : a thrilling atmosphere is obtained by the simple conjunction of extreme short scenes showing fragments of space with short swirls of the camera and the music. We have not seen any character yet but we expect the worse that is to say a vampire. Vampires are a metaphor for lust and Marti knows it. And he shows evidence in a scene of utter sensuality where projected Super 8 images stroke the body of a young, naked Adonis, Nosferatu’s likely victim. At this moment, Berndt Deprez’s music that incorporates parts of Stravinsky or Mahler’s music just fades off. This silence is the expression of pleasure. With Mira Corpora Marti excels himself. He gives his corporal films of the seventies a new outcome and blossoming. » D. Noguez
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