Through Patrice Enard, Gilles Deleuze’s title became plural, for it is indeed only cinema which can « realize » - as in « make real » - and demonstrate the bond which ties the Similar to the Other. The film is a stream of images with a soundtrack made from sounds of water. The trajectories, carried along by the water, meet and diverge, averting all chances of a script, and the protagonists, who are but mere extras caught in repetitive situations, are as interchangeable as they are replaceable. Thèmes :
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