The filmmaker uses the webcam as a critical tool applied to the television. He denounces the power of the televisual image's material. The television's material is damaged and sublimated by an esthetic of blur which is based on the one hand on several choices of filmmaking such as the camera selected (the webcam gives a very low definition), the high saturation of the colors, high contrast and luminosity, the low shutter speed, and the out of focus, and on the other hand on the editing (many loops and jump cut...). The Jacques Brel's love song creates with these radical images an ironical audiovisual poem.
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