These excerpts come from film archives that I collected over the years, films that I found at the flea market, which were given to me by the Scottish Film and Television Archives when I worked for the Edinburgh Film Festival. Some of these images were shot by me or diverted as the Situationists. The formats of these extracts are all different: 16mm film, Standard 8, Super 8 and video. The soundtrack is composed of sounds and diverted dialogues. I guess you can say that it is a kind of Benjaminian phantasmagoria, kissing, tracing the entire 20th century. One of the other "meanings" of this trilogy is to show the nesting of aviation technology and cinema - cinema and the progress of military aviation develops at the same time and very quickly. (...)
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