After Burano (1979), The Indian Speelberg developed the use of serial procedures in cinema. But by reintroducing a dramatic dimension where Burano, through the systematic repetition of the motif evacuated it, 'The Indian Speelberg' intends to break the formalism inherent to this type of practice. To this end, the 150 slides which constitute the sole material of this film are grouped into four distinct sequences and take on a different meaning depending on the appearance of an Indian carousel in the flow of serial combinations.
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