“For the first time the director puts his camera, his“ subjective ”, outdoors. It is no longer a question of breaking through the darkness to give birth to it, to stage anthropomorphic figures with more or less mysterious rituals, but to start from the light of the world, in this case that of a beach at the bottom of the sea. 'a cliff and to capture the evolutions of anonymous holidaymakers. Of these we will know nothing that allows us to engage in any fiction. It is only shadows, silhouettes, archetypes that emerge from these images with non-naturalistic colors. They are the family, a concentrate of generations, the dawn of humanity. ” Jacques Kermabon.
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