Here and now consists of the dreams of the solitary rambler, post-revolution... The moralist has given up on chaos; he takes his own pulse; he listens to the world, perhaps vibrating with it; he is in sympathetic ecstasy. The filmmaker holds his position, stiff as the statue of the commander, on alert for the phenomena which approach him; he resembles the lighthouse whose rectitude Bard captures magnificently, on an ink-dark night, with its hallucinatory lamp set against a background of winds and tides. (Patrick Deval)
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