Silent film shot in 16 mm in the 1970s by actor Denis Develoux, mainly known for the main role he played in Yvan Lagrange's L'idole des jeunes (1976). In Homicide, in a neo-impressionist style (Dulac, Epstein, Kirsanoff), a cyclical structure presents the parallel destinies of characters with hieratic behaviors, having no links between them. They symbolize "states": the heterosexual couple, the homosexual couple, female loneliness, offering little prospect of happiness or fulfillment. The film gives off an impression of disenchantment which at the same time testifies to an era and transcends it.
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