The body, used as a screen and as a receptacle of mathematical patterns, is barely visible in Geminga. We can only see the hands. Sometimes, in a glimpse, we can watch parts of anatomy, pieces of cloth that catch us as we try to watch. The colored visual patterns have thus an amazing plasticity and become alive, almost carnal. Raphaël Bassan, DVD Festival des Cinémas Différents, Lowave, 2005.
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