Destruction of an obsession, of memories, of a moment, of a life, seen through private and current images. Image race towards murder. ‘EX’ is constructed from quotes referring to the painter’s emotional and cultural universe; humor punctuates the film: while Monory collapses on the sidewalk, we can read on the facade of the cinema 'The most daring film of the year, the most daring in the history of cinema', it is as he gets up and, with the back of his hand, seems to sweep away these images that obsess him, like some dust on his pants. This film is part of Monory's series of paintings 'MEURTRES' executed at the same time. (L. Danet)
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