A nightmare, a perpetual object-hood, an erosion of the physical, a slow slide past a mechanomorphic veil, a digital tendril penetrating a global spectacle. This first feature film by iconoclast american filmmaker M. Woods is an immersive experience, oscillating between a paralyzing nightmare and an intoxicating activist practice. Combining 16mm hand developed footage and digital forms such as glitch and datamoshing, Dailies From Dumpland is an anti-Trump pamphlet, a visionary and documentary work about the current political situation in the United States.
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