FR

Avant l’effondrement du Mont Blanc

Jacques Perconte

Experimental film | France | digital | 4:3 | color | mono | 2020 | 16' 
48 €

Screening Copy: DCP
Are we the very last to see the peaks of Mont Blanc? The heat of the summers and the mild winters have a lot to do with the rock falls, which have multiplied over the last twenty years or so. The mountains are collapsing. If this is a sign of climate change, it is also a sign of our attachment to the landscape, which we would like to be able to classify as a heritage site. The Mont Blanc massif is not ours, the mountain is a state, it is a moment, it wasn't there millions years ago, and it will change in any case. The problem here would be that of speed of change. Because the equilibrium of these peaks defying the void, the longevity of these glaciers is only our point of view. On the scale of the planet's motion, it's a vibration. Mountains are falling, and there's nothing we can do about it. And even if we have the means to rise to their height to admire them, to surpass those inaccessible peaks where many explorers lost their lives trying to gain the privilege of overcoming them, the mountains will continue to fall as they continue to rise. If Mount Blanc falls, it also rises. Awarded at the 22nd FCDEP

Credits

Director: Jacques Perconte

Collectif Jeune Cinéma

The Collectif Jeune Cinéma (Young Cinema Collective) is a filmmakers’ cooperative founded in Paris on June 12th 1971.

The vocation of the CJC is to distribute different and experimental films of all lengths, gathered in a catalogue that is continuously enriched by new works. This catalogue covers a very wide spectrum of aesthetics and cinematographic practices. For example, it is the only one to include experimental films made by children and young flimmakers (under 18 yo).

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Each year, the CJC organizes the Festival des Cinémas Différents et Expérimentaux de Paris (a festival featuring different and experimental cinema in Paris) and schedules regular screenings each month in Paris or Île-de-France.

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